Trilogy Sans Bold
From Jeremy Tankard Typography / Trilogy Sans / Starting from $115
It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.
Other Trilogy Sans Fonts
Trilogy Sans Full family
- Trilogy Sans Thin
- Trilogy Sans Extra Light
- Trilogy Sans Light
- Trilogy Sans Regular
- Trilogy Sans Medium
- Trilogy Sans Bold
- Trilogy Sans Extra Bold
- Trilogy Sans Heavy
- Trilogy Sans Thin Italic
- Trilogy Sans Extra Light Italic
- Trilogy Sans Light Italic
- Trilogy Sans Italic
- Trilogy Sans Medium Italic
- Trilogy Sans Bold Italic
- Trilogy Sans Extra Bold Italic
- Trilogy Sans Heavy Italic